Interview

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Photo: "Open Source Embroidery" a project by Ele Carpenter, with Carla in the left foreground; taken by Catarina Miranda

First of all, could you just introduce yourself shortly? And could you also present your project All My Independent Women (AMIW) a little bit? So what was the initial idea and how was the formation process?

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Please can you introduce yourself?

Please can you introduce yourself?
Tadeja: I am Tadeja Pirih (28) from Ljubljana, Slovenia. I’m finishing my studies on Faculty of Arts in Ljubljana. I work as a coordinator of lesbian club Monokel and am a lesbian and feminist activist.
Enci Brenci: I am a 27-years old lesbian student from Ljubljana, Slovenia.

How did you come to feminist and lesbian theory/activism?

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Jamika Ajalon, artist, musician and poet, speaks with Cae Massena, artist, musician, academic and co-founder of Caona, a collective dedicated to supporting women musicians in France.

Jamika: What do you do?

Please can you introduce yourself?
With general introductions it could take too long to really explain myself. Personal histories can be really funny and sometimes really traumatic but I’ll try to tell you the funny part of the story.

I mean an introduction related to your media production, of course.

Radiointerview über das Feministische Internetarchiv und Netzwerk grassrootsfeminism.net

Zum Anhören bei freie-radios.net:
http://freie-radios.net/40583

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Xavier, could you please introduce yourself and give us a short description of your radio show Bang Bang?

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THE FUGITIVE ARCHETYPE OF RESISTANCE: a metamorphical narrative

by Jamika Ajalon
presentation @ Civilmedia 2011 in Salzburg
Stream: Feminist Media Production in Europe

Melanie Manos' performance work has romped on the tightrope between absurdity and solemnity since the late 1990s, giving a view into the tension between the individual and the exigencies of modern society. Whether through the Beckettian work of unending circularity with MBC partner Sarah Buckius, physically demanding minimalist body sculptures or the recent narrative-based work performed at Marygrove College in Detroit, Manos reminds me that performance is at its core political.

The PRIDE PARADE took place.
This is roughly the fourth time that there was an attempt to organize it, gather the people, stroll down the streets, so that we can show that lesbians, gays, trans and queer people exist in Serbia. However you classify yourself, whichever group you belong to, you either think you have freedom or you know that you don’t have it.